Ua loaʻa iā Guy Hendrix Dyas kāna kēkelē laepua mai ke Kula Kaiapuni ʻo Chelsea a me kahi kekelē laeoʻo mai The Royal College of Art. Ua hoʻomaka ʻo Guy i kāna ʻoihana ma Tokyo e hana ana ma ke ʻano he mea hoʻolālā hana no SONY. I loko o kēlā manawa ua hui ʻo Guy i ka hui ʻo Light Industrial a me Magic ma Kaleponi, ʻo kēia kahi i hoʻomaka ai ʻo ia i kāna ʻoihana kiʻi ʻoniʻoni ma ke ʻano he mea ʻike kiʻi Art Director ma ke kiʻi ʻo Twister. Ua hoʻomohala ʻo Guy i kona mākau ma ke ʻano he mea pena kiʻi no nā makahiki he nui ma mua o kāna hana hoʻolālā hoʻolālā mua X2: X-Men Hui Pū ʻIa no Bryan Singer. Ua hana ʻo Guy i nā kiʻi ʻoniʻoni e like me Ua hoʻi ʻo Superman, ʻo Elizabeth, ka Grimm o ke Kaikaina, ʻO India Jones & Ke Aupuni o ka Aniani Kiwi, aʻo ke kumu ohua. Ke hana nei ʻo Guy i kēia manawa Ka Nutcracker. 

ʻO Guy Hendreix Dyas Production Designer - Nā Pepa [2016]

iHorror: Hiki iā ʻoe ke haʻi i kā mākou poʻe heluhelu e pili ana i ka hoʻolālā hana?

ʻO Guy Hendrix Dyas: He koina olakino maikaʻi loa kēia hanauna hou o nā mea hana kiʻi ʻoniʻoni e pili ana i nā mea e pono ai ʻo CGI a me nā mea e pono ai a ʻelua mau mea hoihoi e nānā ai ma ke ʻano he mea hana hana hana mua nā hana o nā mea pena kiʻi. Ke waiho ʻoe iā lākou i kahi kaiapuni ke aia lākou ma laila inā paha ma kahi moku ākea a i ʻole kahi nahele kolo e hoʻomaikaʻi ai kā lākou hana, hana maoli ia. ʻIke wau, ua hana wau ma nā ʻano ʻoniʻoni ʻelua. ʻO ka lua, ʻoi aku ka nui o ka realism i ka uila ʻaʻohe mea e ʻōlelo ka poʻe. Inā ma laila ka pale ʻōmaʻomaʻo, e hoʻohaumia ia i nā kala o ka hoʻonohonoho, a pono e hoʻopaʻa pono nā mea āpau. Ke hoʻohana ʻoe i nā kua i ke au kahiko e like me ia kani, inā pono ʻoe i kahi neʻe e laʻa a pono ʻoe i kahi kauhale, a pono ʻoe e ʻike i nā puhi uahi a i ʻole ka wailele, ʻo ia ka manawa e lawe mai i kahi pale ʻōmaʻomaʻo. Akā ke loaʻa iā ʻoe kahi mea kū ʻole e neʻe ia kahi manawa e hoʻohana ai i kahi kākoʻo. A laila mālama pū ʻoe i ke kālā.

iH: he mea nui e ʻike i ke kaulike. ʻIke wau i ka nui o nā kiʻi ʻoniʻoni i overloaded me CGI, nui ka mea e holo nei. E like me kāu i ʻōlelo ai, ʻo ka loaʻa ʻana o ke kaulike ma waena o nā mea ʻelua e hoʻomaikaʻi ai i ka maikaʻi o ke kiʻi ʻoniʻoni.
GHD: Hana ia, aia kekahi mea ʻē aʻe e like me ke aʻo a nā mea hana kiʻiʻoniʻoni. Ke ʻae ʻia ʻoe e hoʻihoʻi i nā mea āpau i ka pou a ʻōlelo, "ʻae e hana mākou me ia ma hope" lilo ka haʻi moʻolelo i sloppier iki no ka mea ʻaʻole pono ʻoe e ʻike i nā mea, ke hoʻokikina nei ʻoe i ke ala. Akā inā ua koi ʻia ʻoe e ʻike, aia ka hoʻonohonoho, aia nā mea āpau, ʻaʻohe ou kumu, pono ʻoe e hopu i ka hanana, pono ʻoe e hopu i ka hana. Manaʻo wau ʻo ia ke akeakamai o Morton me PASSENGERS e hoʻāʻo kāua e hopu i kēia mau manaʻo o ka poʻe e aloha ana i ka lewa, ʻo ia ka mea i hana nui ʻia kēlā papahana. ʻAʻohe pū, ʻaʻohe moʻo nui, ʻoluʻolu ia i nā ala he nui i hoʻomanaʻo mai iaʻu i nā kiʻi ʻoniʻoni sci-fi. Nui loa iaʻu, ua like ia me ke kiʻi ʻoniʻoni ʻo Silent Running mai nā 70. Hoʻomanaʻo anei ʻoe? Holo hāmau?

iH: ʻAʻole, ʻaʻole wau i ʻike.

GHD: {ʻAkaʻaka} Pāʻani lākou ma ka hana hou i koʻu wā kamaliʻi i nā manawa āpau. ʻO kahi kiʻi ʻoniʻoni maikaʻi e pili ana i kahi kāne ma ke ākea e hoʻōla nei i ka nahele nalowale mai ka Honua. Kumuhana loa. ʻO kahi goofy liʻiliʻi e nānā ai i ka pō, akā naʻe ka manaʻo o ka pae o kēlā manaʻo akamai loa, manaʻo wau i kēlā NUI ʻ hāʻule i loko o ka ʻohana like o nā palapala kākau noʻonoʻo a akamai. I ka nānā ʻana i ke trailer, ʻike koke wau ua ʻāpana maikaʻi ʻia ia a kahe maoli. I nā manawa he nui e nānā ana wau i kahi Trailer ʻo Sci-Fi, a ke holo nei nā mea he nui loa hiki ke lilo i mea huikau loa. Kupaianaha nā hoʻonohonoho, a e hoʻopiʻi ia i ka nui o ka poʻe. ʻAʻole wau e wahaheʻe iā ʻoe. Aia wau i lalo o ka pilikia nui a me kahi hopohopo nui i kēia manawa. No ka hoʻolālā hoʻonohonoho, ua hoʻāʻo wau e uhaʻi i kekahi mau lula e pili ana i nā mea a mākou e manaʻo ai. Ua hana wau ma ke ʻano he mea pena kiʻi i nā kiʻi ʻoniʻoni ʻepekema he nui, a ʻo kēia ka manawa mua ma ke ʻano he mea hoʻolālā hana i loaʻa iaʻu ka manawa e noho luna ai i kēlā. Noʻu, makemake wau e hōʻalo i nā pahele o ka piʻi ʻana mai me ka nani a nānā i ka mokulele i holo holoʻokoʻa. ʻO ka mea maʻamau ka mea e hana me nā moku ākea a kūpono ke noʻonoʻo ʻoe e pili ana. Ua noʻonoʻo ʻoe e nānā, ke kala o nā paia i ke kala o ka papahele a ʻo kēlā mau kala e holo i loko o ka moku ākea no ka mea makemake lākou. Akā i kā mākou hihia, loaʻa iā mākou kahi mokulele e hoʻololi ana i nā mea kaʻa ma kahi mamao loa. Ke hōʻea lākou i kā lākou huakaʻi, aia kahi manawa o ka hoʻoponopono hou ʻana e hele i loko o nā moku hāʻule i lalo i ka honua. ʻO ia ʻehā mau mahina o ka lani gehena kūʻai; Eia nō naʻe, makemake ʻoe e nānā iā ia, a iaʻu, ʻo ia ko mākou kahua pāʻani no ke pāʻani ʻana me ke kala o ke kiʻi ʻoniʻoni a ʻae iā mākou e hoʻololi i ke ʻano. Maopopo iaʻu ua ʻike nō ʻoukou he pā, aia kahi pā Art Deco ma waena pono o ka mokulele. E ʻike ana nā geeks kiʻi e like me aʻu iho i kekahi mau mea hoihoi me Stanley Kubrick's ka Kealohilani. Ke kamaʻilio nui nei māua ʻo Morton i nā lā mua pehea mākou e hopu ai i ka pilina ma waena o ko Chris ʻano a Jim a me ka Barman, pehea mākou e hana ai i kēlā hoʻopaʻa? He ʻano like kona ʻano me ko Jack Nicolson ʻano i ka Kealohilani a aloha mākou pehea ka mea i kōkua ai i kēlā kiʻi ʻoniʻoni i ka papahana mehameha, mai kā Jack manaʻo. No laila, he mana nui kēlā iā mākou i ka pā. Lawe wale wau i ke kumu o kēlā manaʻo a hoʻonui i ka décor, hoʻonui i ka momona a me ka mahanahana o ka hoʻonohonoho. I ka honua o ke kaʻawale a me ka mehameha, pono mākou i kahi ipukukui e pono ai mākou i kahi no nā mea kaʻa ʻelua e makemake ai ʻo Jennifer lāua ʻo Chris e hele. No laila aia kēia pahu Mea Mahana mehana. Aia kēia wahi hoʻopunipuni loa, me kēia lopako charismatic loa nāna e lawelawe iā lākou, ʻo ke kanaka ʻē aʻe wale nō e hiki iā lākou ke ʻike ʻoiai synthetic ʻo ia, no laila pono mākou i kahi e manaʻo ai he leʻaleʻa i ka poʻe ke hele a sophisticated. Noʻu, he manaʻo ono ia e kau i kekahi mea mai ka 1920 ma kahi moku ākea i kahi mamao loa i ka wā e hiki mai ana, a ua lawe mākou i kēlā manaʻo, a holo pū mākou me ia. Ua makemake mākou e pāʻina ko lākou aloha. Hell, no ke aha e hana ʻole ai i kahi hale ʻaina Palani 18 kenekulia me nā kolamu 18-kapuai nunui a me ka puka aniani kilohi ke nānā aku nei i kahi ākea. No laila, ke noho nei ʻoe me kāu mea aloha i kahi pā ihoiho kukui a ʻo ka Universe e wili nei ma waho, a he manaʻo trippy kēlā. Ua manaʻo mākou inā ʻaʻole e loaʻa kahi manawa hou e hana ai i kēia, no laila ʻo ia ka mea i holo pū ai mākou me ia.
iH: Pehea e pili ana i ka wai ʻauʻau i ke kiʻi ʻoniʻoni?

GHD: Ua ʻimi mākou i mau mahina a me nā mahina no kahi wai ʻauʻau maoli ma Atlanta kahi a mākou i kī aku ai, a i ka hopena, huki lākou i ka pahu i ka minuke hope loa ua ʻeli mākou i kahi wai ʻauʻau i loko o kā lākou wahi kaʻa kaʻahua hou ma Pine Wood. [ʻAkaʻaka} ʻAʻole hauʻoli nui lākou e pili ana i ia mea, akā makemake lākou i ka hoʻonohonoho ke pau mākou me ia. No laila ma kahi o ʻeono mau pule ua ʻeli mākou i kahi lua ua kāwili mākou iā ia a hana i kēia wai ʻauʻau 'Olumepika me kēia puka aniani nunui, a he manawa nani ia. ʻO Aurora Jennifer Lawrence kēlā ʻano puʻuhonua o ka puʻuhonua. Ke hana nei mākou i kēia mau blues hohonu he hōʻailona maoli ia no ka hoʻomaʻemaʻe. He wahi kahi e hiki ai i kekahi ke hele a peʻe, ʻo kekahi i kāna pilikia.

iH: Manaʻo maoli wau ua hoʻokō ʻoe i ka mea āu i hoʻonohonoho ai e hoʻokō me ia hanana.

GHD: Mahalo

iH: He nani ia a i kēia manawa ʻike ua kūkulu maoli ʻia ia a ʻaʻole ʻo CGI he mea kupaianaha loa.

GHD: ʻO ka hoʻonohonoho e hōʻoiaʻiʻo ʻole i ka poʻe i kūkulu ʻia no ka mea he mea ʻē ia mea i kapa ʻia he nānā. He ākea nui ia me kēia mau iwi ʻaoʻao ikaika loa e hiki mai ana. Nani lākou i ka lāʻau, pono e hoʻoneʻe ʻia i lalo, ke nānā aku lākou e like me kēia mau puʻukani futuristic, akā ma ke kiʻi ʻoniʻoni, ʻano like paha me ka mea i hana ʻia ma ke kamepiula.

iH: Mahalo nui loa, e Guy!

E nānā mau no ka loiloi o ke kiʻi ʻoniʻoni a me nā nīnauele hou no Sony's NUI ʻ i nā pule e hiki mai ana!

 

 

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