ʻO ka Pōʻakolu kēia, ʻo ia ka manawa e ʻike ai i kahi ʻano hōʻoluʻolu hōʻoluʻolu e pili ana i ke ala waena o ka pule hana. Eia kekahi, ua hiki i ka manawa no kahi paʻi hou o Late to the Party, ke kaʻina e ʻike ai nā mea kākau iHorror aia mākou ma hope weliweli i kekahi mau moʻomeheu moʻomeheu a me nā punahele punahele. Ke hoʻoponopono nei mākou i kēlā ʻano fandom faux pas, hāʻawi mākou i kā mākou mau manaʻo me ʻoe, e ka mea heluhelu. I kēia hebedoma ua lawe wau i kahi manawa e nānā i kahi hana kuʻuna 1980, Ka Hoʻololi.

Makemake wau e nānā Ka Hoʻololi no kekahi manawa ʻoiai he Weliweli Kanada kilakila. Me ka lā kiʻi ʻoniʻoni ʻo Kanada e hiki mai ana ma ʻApelila 19, ua like kēia me kahi manawa kūpono e nānā hope loa ia mai kaʻu papa inoa.

Hāpai ke kiʻi i kahi haku mele, John Russell (George C. Scott, Patton), ka mea neʻe i kahi hale nani nani Victorian ma Seattle ma hope o ka make ʻole o kāna wahine a me kāna kaikamahine. Hoʻolimalima ʻia ka waiwai mai ka nohona moʻolelo kūloko a ua hakahaka ʻia no 12 mau makahiki.

E like me ka maʻa mau o kēia mau hiʻohiʻona, ʻo ka hale ka maopopo leʻa haʻohaʻo. Ua noi ʻo John i ke kōkua mai ka agena kaiaulu moʻolelo ʻo Claire Norman (Trish Van Devere, Ka Holo Hope a - leʻaleʻa ʻoiaʻiʻo - wahine i ka mea hana keaka ʻo George C. Scott) e kōkua i ka hoʻoponopono ʻana i ka mea pohihihi o ka mea a ka heck e hana nei i kēia hale dang.

Mālama ʻo John i kahi kau ma kona home, hōʻike ʻia nā mea huna, a mānoanoa ka hoʻolālā.

Ua hoʻoikaika ʻia ka mea pāʻani ʻo Russell Hunter e kākau i ka moʻolelo o Ka Hoʻololi mahope iho o kāna mau hana hoʻoweliweli ponoʻī ma ka hale nui ʻo Henry Treat Rogers ma Denver, Colorado i ka hopena o 1960. ʻOiai ua kākau ʻia ke kiʻi e William Gray lāua ʻo Diana Maddox, ua pili pono nā hanana i ka moʻolelo a Hunter - me kahi ʻano hoʻonani a me nā mea hoʻonani, ʻoiaʻiʻo nō.

Ua mahalo loa wau iā Ka Hoʻololihiki iā ia ke neʻe i loko o ka hale noho lua a kupaianaha me ka maʻalahi o ka wai. Hana nani ʻia ka cinematography; lele ka pahu paʻi kiʻi i loko o ka hale e kaʻana like i kāna aloha me ka hale kahiko a kākoʻo i ka manaʻo he hāmau mākou - spectral? - mea nānā.

Ke kū mālie nei ka pahu paʻi kiʻi, huki pololei ʻia kou maka i ka mea a ka luna e makemake ai e ʻike a hoʻonāukiuki i ka naʻau a me ka hopena i kahi ala maikaʻi. ʻO ka hanana wehe kahi mākou e ʻike ai i ka ulia e lawe ana i ke ola o kā John wahine a me kāna kaikamahine, e laʻa, e hoʻopili i ka nānā ʻana o ka lehulehu i ka hana i maopopo iā mākou ka mea e hiki mai ana ma mua o ka hopena o ka pōpilikia. ʻIke mākou iā John e hana nei i kēia pilina like a pili kino wau i ka kali ʻana i ka hāʻule nui.

Aia kekahi hiʻohiʻona e pāʻani nei ʻo John i ka piano ma kona home hou (ʻo kekahi o nā mea he nui - he haku mele ʻo ia, ma hope o nā mea āpau). Wahi hāmama ka puka ma hope ona, akā no ke ʻano o ke kī ʻana o ka pana a me ke ʻaoʻao a ka puka e wehe ai, ʻaʻole hiki iā mākou ke ʻike ʻo wai ma hope ona a hiki i ka hopena o ka nalu lohi. Maikaʻi.

ʻO ka luna ʻo Peter Medak a me ka cinematographer ʻo John Coquillon i mea ʻoi aku ka mahalo no kēia kiʻi ʻoniʻoni.

Ka hoʻohana ʻana o ke kani i Ka Hoʻololi he mea nui pū kekahi. Hana nā ʻūlū, nā poni, a me nā hāmau kaumaha me ka helu o ka orchestral i kahi ala e hōʻike mua ai i kahi dichotomy ʻoi loa, akā i ka hoʻomau ʻana o ke kiʻi ʻoniʻoni, hāʻawi ke mele palupalu, ʻoluʻolu hoʻi i kahi helu i ʻike ʻia.

Holomua ke mele me ke kiʻi ʻoniʻoni, e hoʻolohe ana i ka poʻe hoʻolohe - a i ʻole lohe paha - ka piʻi ʻana o ka haunting.

Pono wau e hoʻomaikaʻi i kēia kiʻi ʻoniʻoni no ka haʻi ʻana i kā John moʻolelo i kahi ala e makaʻu ʻole ai mai kāna kaumaha pilikino. ʻOiai ʻo John e neʻe nei i kāna neʻe weliweli, ʻaʻole maikaʻi ʻo ia - a maikaʻi maoli ka ʻike.

ʻIke mākou aia nō ʻo John i kēia mau hoʻomanaʻo neʻe o kona ʻohana. ʻIke mākou i kāna mau ʻano lahilahi i ka hāmeʻa punahele a kāna kaikamahine. ʻIke mākou i kēia kāne makua kāne makua i kahi kūlana maʻalahi a me ke ʻano.

ʻO ka ʻōlelo ʻia, hoʻokokoke ʻo ia i kēia mea pohihihi hou i kahi ala hāmama loa. Kūleʻa ʻo ia i kāna ʻimi ʻana i nā pane a ʻaʻole hoʻāʻo e hōʻoia iā ia iho ua luhi a ʻike paha i nā mea. ʻAʻole hoʻāʻo ʻo John e hōʻino i kona mau manaʻo a i ʻole i kona mau manaʻo, ka mea nui ia e pili ana i nā ʻano trauma.

Hoʻomaha hou ia (mai kahi kiʻi ʻoniʻoni i hana ʻia i 1980).

Eia kekahi, e hōʻalo wau inā ʻaʻole wau e haʻi i ka weliweli maoli o ia mau mea āpau. Aia kekahi mau manawa weliweli maoli ma aneʻi - ua hoʻomanaʻo mai ka hiʻohiʻona séance iaʻu he nui o ke kau ma Hoʻopiʻi. Maʻalahi ke ʻike i ka mana o kēia kiʻi ʻoniʻoni i kekahi ma ke ʻano.

Pono wau e hāʻawi i kahi hoʻōho i ke kahua e kāhea ʻole iā ia-a-flashback kahi a mākou e aʻo ai e pili ana i ka mea i loaʻa i ka ʻuhane e haʻalulu ana i ka hale. Kūleʻa a hoʻonāukiuki loa ia.

Ma ke ʻano holoʻokoʻa, pūʻiwa wau i ka nui o kaʻu makemake Ka Hoʻololi. Pono ʻoe e manaʻo i kahi ʻokoʻa o ke kiʻi ʻana me nā kiʻi ʻoniʻoni weliweli kahiko, ʻoiaʻiʻo, akā ʻo nā mea pilikino o ka moʻolelo a me nā kiʻi a me ka ʻano kupaianaha o ke kiʻi ponoʻī i lanakila maoli iaʻu.

 

E nānā hou me mākou i kēia pule aʻe e ʻike i nā ʻaoʻao ʻē aʻe a mākou i lohi ai.